As VFX Supervisor
Mostly from 2022 until now
I worked as VFX Supervisor and Co-VFX Supervisor at BadClay Studio on a diverse range of feature films and series. My credits include Thanh Sói, Hijack 1971, Em và Trịnh, and the Korean sci-fi drama The Moon.
I also contributed to high-profile Netflix productions such as Glitch, Parasyte: The Grey, and Bloodhounds.
These projects spanned action, drama, sci-fi, and fantasy, each demanding unique visual approaches and high technical precision.
PARASYTE: THE GREY
VFX Supervisor
For Parasite: The Grey, produced at BadClay, we delivered complex VFX centered on a human-to-creature transformation.
The main challenge was seamlessly matching CG with live-action performance, ensuring believable integration at every stage. We also crafted detailed interactions between the creature and its environment, making this ambitious project especially rewarding for a team already familiar with the story.
HIJACK 1971
VFX Supervisor
For Hijack 1971, produced at BadClay, we crafted highly dynamic VFX sequences focused on conveying a strong sense of speed and intensity.
The challenge was to design shots with impactful motion while maintaining seamless integration between CG and live-action plates, alongside accurate recreation of historical aircraft.
This made the project particularly engaging for our team.
BLOODHOUNDS - S02
VFX Supervisor
For Bloodhounds Season 2, produced at BadClay, we recreated a full stadium environment and populated it with CG crowds for intense boxing sequences.
With dynamic camera movements and a dark atmosphere, the challenge was to maintain strong visual consistency while keeping the background immersive yet subtle, ensuring the audience’s focus stayed on the fight.